There Will Be Blood (no kidding)

1/20/08

There Will Be Blood
Written and directed by Paul Thomas Anderson

Here's another one of those big-deal, high-quality, awards-seeking films that came out in 2007 but have taken a little longer to get released across the country. There Will Be Blood was definitely worth waiting for. The story starts at the end of the 19th century, following the life of a prospector who becomes an oil man, and along with that, the growth of the U.S. oil industry. And what a guy that oil man is. As played by Daniel Day-Lewis, he's a fascinating and scary creature, a combination of civilized man and dangerous animal, who buys oil-drilling rights at indefensibly low prices and proceeds to make lots of money. Along the way, he picks up a son (courtesy of partner killed in a mining accident) and an ongoing battle with a not-particularly-Jesus-like evangelizing preacher, played by Paul Dano. The look of this film is wonderful, from the long, mostly silent, opening sequence through to the bitter and bloody end. (You can't say you weren't warned by the title.) And the sound is great too. The score is by Jonny Greenwood of the band Radiohead, and it's just about perfect, adding to the cinematic experience but not overpowering it.

This is a wonderful movie, with a great central performance by Daniel Day-Lewis. See this film.

Video notes:

Eastern Promises
Directed by David Cronenberg

Here's another one from 2007. This film came out just a few months ago, but is already available for your video viewing pleasure. It's a story about Russian mob activity in London, but it's not the London of Big Ben and Westminster Abbey. It's a London populated by immigrants and home to all sorts of sordid illegal activity. Viggo Mortensen play a slick Russian mobster and Naomi Watts is a midwife (and a first-generation Russian immigrant), trying to find the family of a baby orphaned at birth. The film is well-done, and the acting is excellent, especially Mortensen as a very un-Aragorn-like member of the London underworld. TVOR's one complaint is that the character played by Watts is really dumb. If you found out that people you were dealing with were dangerous gangsters, would you then take the opportunity to throw a hissy fit and give them a piece of your mind? TVOR didn't think so. You probably enjoy being alive and would like to remain so. In spite of this flaw, the film is still worth seeing.

Paul Thomas Anderson hasn't made a huge number of movies (he's still a young guy) but he's made some good ones. Check out Boogie Nights, Magnolia, and Punch-Drunk Love (the only Adam Sandler movie TVOR has ever seen) if you've missed them along the way.

Juno

1/8/08

Juno
Directed by Jason Reitman
Screenplay by Diablo Cody

A fair amount of ink has been spilled about the fact that two of the most popular (and funny) comedies of the year deal with unwanted pregnancies, and what it all means, especially the fact that in this age of choice (however long that lasts), abortion is not seriously considered as an option in these films, much less chosen. It's an interesting question, but TVOR won't go there. These are comedies, after all. If serious films start getting made about unwanted pregnancies, and still no one is talking about the "a" word, then that'll be different. TVOR would just be happy if there were no more movie characters with above-average IQs (and real people, for that matter) who express surprise when they have unprotected sex and conception occurs. HELLO! That's how it works!

OK, down to business. Juno is about a 16-year old girl who gets pregnant, decides to have the baby, picks out prospective adoptive parents from the Nickel Want Ads, and keeps the audience very well entertained while she does it. It's a very funny, well-written, well-acted, well-put together film. Maybe not so realistic, but it's a movie, right? And the characters seem human, if not very similar to folks you actually know. If only people were that witty in real life. The cast is wonderful, especially Ellen Page as Juno and Michael Cera as the baby daddy. Definitely one to see.

Video notes:

Jason Reitman's first film was Thank You for Smoking, an entertaining satire about a tobacco lobbyist (Aaron Eckhart). The film is based on Christopher Buckley's novel of the same name. It's sort of satire lite, not too cutting, but it does have some nice bits.

The other unwanted pregnancy comedy of the year is, of course, Knocked Up, written and directed by Judd Apatow. This one makes the case that men are drifting underachievers, waiting to be civilized by women, a superior sex. Whatever. It's funny, and Paul Rudd is in it, which is always a plus.

Happy 2008--let's see some movies!

1/5/08

It's 2008 now, but TVOR is still trying to digest 2007's goodies--and there were a lot of them. These films have been out for a few weeks, and may stick around a while longer if they get any awards nominations--which would be entirely warranted.

Before the Devil Knows You're Dead
Directed by Sidney Lumet from a script by Kelly Masterson

Sydney Lumet has been directing television and film for 60 years, and he's gotten pretty good at it. His latest film, Before the Devil Knows You're Dead, proves that he hasn't lost his touch. It's a genre film--the crime drama--but it's a genre film made by a master. It's a story of a heist gone horribly wrong. And when TVOR says horribly wrong, she means HORRIBLY wrong. Philip Seymour Hoffman and Ethan Hawke play brothers who rob their parents' jewelry store (you can see that the likelihood of things not working out is extremely high). Albert Finney plays their father. This is no Shakespearean tragedy. These are not great men with tragic flaws that bring them down. These are small men, motivated by greed, jealousy, lust, revenge, and other unseemly things. The characters aren't particularly sympathetic, but the writing and directing and acting (including Marisa Tomei as Hoffman's wife) come together so that we understand something about these people at the same time we are appalled by them.

Starting Out in the Evening
Directed by Andrew Wagner

Frank Langella spends most of his time on stage, but in Starting Out in the Evening, he has a great film role and does a wonderful job. He plays an aging, out-of-print author, who becomes the master's thesis project of a young graduate student (Lauren Ambrose) who worms her way into his actual as well as his literary life. Lily Taylor plays the author's daughter. This is a well-made, thoughtful, smaller-scale movie that's a nice change of pace from the rest of the year-end stuff.

Video notes:

Some of the better films of 2007 are already out on video.

Zodiac was seen by few people in theaters, yet is showing up on a lot of year-end best film lists. It's the story of the real Zodiac killer, active in California in the 1960's and 70's, and is based on a book by one of the newspapermen involved in the story from its earliest days. David Fincher, best known for Fight Club and Se7en, directed the film. Although Zodiac deals with a serial killer, the emphasis is not on the murders, but the attempts by police and the press to find the killer. Three excellent actors (Jake Gyllenhaal, Mark Ruffalo, and Robert Downey Jr.) head the cast, and as the film progresses, and various leads are followed and dropped, we get a picture of the difficulties of dealing with a smart, crazy criminal--even if it's a crazy criminal who likes publicity. A heads-up: this is a long film. It was a very long, tough slog to try to solve these crimes. But if you've got about two and a half hours, this is not a bad way to spend it.

3:10 to Yuma isn't on a lot of best-films lists, but it's making it into some honorable mention sections, and TVOR liked it. It's a western with a really bad guy (Russell Crowe) and a really good guy (Christian Bale). What more do you need in a western, especially when those guys have a good script to work with, and can act?

Check out some of Sidney Lumet's work: Fail-Safe, Serpico, Dog Day Afternoon, Network, Equus, The Pawnbroker, The Verdict...the list goes on and on.

End-of-the-year entertainment

12/20/07

It's almost the end of the year, and time to haul out what studios think/hope will be the holiday blockbusters. Or at least movies that people, including grownups, might want to see. Let's see what happens.

Sweeney Todd: The Demon Barber of Fleet Street
Directed by Tim Burton

Tim Burton + Johnny Depp = some pretty interesting cinema. These guys have collaborated quite a bit over the last couple of decades, and they certainly seem to be on the same wavelength. Their latest project is Sweeney Todd: The Demon Barber of Fleet Street, based on the Stephen Sondheim musical first produced on Broadway. Because film and theater are such different mediums, the material changed significantly when it was adapted. To further complicate things, Johnny Depp and his co-star Helena Bonham Carter, although fine actors, aren't really singers. The bad news: if you loved the musical on stage, you'll find that the film is different from the play, including the fact that songs are missing or truncated. The good news: the film looks great, the performances are strong, and for a couple of non-singers, Depp and Bonham Carter sound pretty darned good. TVOR has not seen the stage version, so didn't miss the missing bits at all. The supporting cast includes Alan Rickman, Timothy Spall, and Sacha Baron Cohen (Borat), but the real standout in that group is young Ed Sanders, as Toby, the orphan boy who ends up working in Mrs. Lovett's pie shop.

This type of film really isn't TVOR's thing, but it was well done, and she enjoyed it. One thing to be aware of, though: this movie is bloody. REALLY bloody. It is, after all, about a guy who slits people's throats, after which his landlady grinds the victims up and bakes them into meat pies. It's very stylized, definitely over the top, and therefore easier to watch than something more realistic, but even so, the film is not for the squeamish. Yet in its own creepy and disgusting way, it's a thing of beauty.


Charlie Wilson's War
Directed by Mike Nichols
Screenplay by Aaron Sorkin

If for some reason you're not into serial murder and cannibalism as holiday entertainment, Hollywood has an alternative for you. And I do mean Hollywood. Charlie Wilson's War is Hollywood movie making. As in movie stars playing people who are supposedly real people but you're always aware that they're movie stars, speaking dialog that is witty and intelligent in ways that we wish actual conversation was, in a story that could be sort of real but not really.

That said, Charlie Wilson's War is Hollywood on a good day. It's the true story (Hollywood-ized, of course) of U.S. Congressman Charlie Wilson of Texas who almost single-handedly managed to get arms and money to the Mujahideen in Afghanistan to aid in their fight against the Soviet army in the 1980's. "But wait", you're thinking, "aren't the Mujahideen the fighters who were in the mountains of Afghanistan and then some stuff happened and then there was Al Qaeda a few years later?" Well, that's a discussion for another time. This is a Hollywood movie. It's well-directed (by Mike Nichols), well-written (by Aaron Sorkin) and the Hollywood stars glitter appropriately (although Julia Roberts wears bad blonde wigs). The film comes alive, though, when Philip Seymour Hoffman is on screen, playing a CIA agent. Fortunately, he's around a lot. This isn't the greatest film, but it's light and entertaining. It could come in handy if you need to keep some people entertained.

Video notes:

TVOR's favorite Tim Burton/Johnny Depp collaboration is their first--Edward Scissorhands. It's beautiful and sweet and there's even a Christmas connection, for those who are looking for seasonal entertainment.

Mike Nichols has directed a lot of good movies. The early ones are the best. He made the amazing Who's Afraid of Virginia Woolf?, with Richard Burton and Elizabeth Taylor, The Graduate, Catch-22, and Carnal Knowledge, just to name a few. Talk about a portrait of an era. You could do a lot worse than to have yourself a mini Mike Nichols festival. In fact, TVOR thinks she might need to have one herself.

A couple of films by people who know how to make them

12/13/07

The Diving Bell and the Butterfly
Directed by Julian Schnabel
Screenplay by Ronald Harwood from the memoir by Jean-Dominique Bauby

This movie sounds at first like something you'd want to stay away from. Don't. It tells the true story of Jean-Dominique Bauby, the editor of Elle, who at the age of 42 suffered a massive stroke, leaving his mental faculties intact, but his body paralyzed, with the exception of his left eyelid. You've probably seen inspirational weepers with a basic story outline something like this, but The Diving Bell and the Butterfly is not one of those. This is not a disease/accident/medical drama, where the noble afflicted person and/or family bravely make lemonade out of lemons. This film is about the life that was going on in the brain, behind the blinking eyelid, which he used to spell out, letter by letter, the book on which the film is based. And it’s also about the film-making style of Julian Schnabel, the artist and filmmaker who directed the movie. Schnabel gets into the head—as he imagines it, anyway—of Bauby, and the film is made very much from that perspective.

TVOR doesn’t want to say too much more. Just that you should see it. It’s going to be showing up on a lot of 10-best lists for the year and that’s entirely warranted. The excellent cast is led by Mathieu Amalric. (The money men originally wanted to have Johnny Depp play the part, and the movie made in English. Instead we got Mathieu Amalric and French. And filming in the actual hospital where much of it took place. This is all good.) See The Diving Bell and the Butterfly. You’ll be in for an amazing experience.

I'm Not There
Directed and co-written by Todd Haynes

TVOR liked this film. She didn't totally get it, but she liked it. It's about Bob Dylan, but there's nobody in it named Bob Dylan. There are six characters who represent certain aspects of Dylan at different times, and the characters and the filming style surrounding each are very different. Yet it somehow makes a whole. The best Dylan-like character was played by Cate Blanchett, although there was an African-American kid who was awfully good too. Do you get TVOR's drift here? The soundtrack was excellent--some Dylan by Dylan, some Dylan by other people. If you like Bob Dylan, and are willing to sit back and just experience this consistently interesting film, go for it. Because I'm Not There is not just about Bob Dylan, it's about the times. Which are a-changing. If this sounds like it's a bit much for you, you may be right, you should probably just stay home.


Video notes:

Mathieu Amalric may not be familiar to you. He had a smallish role in Steven Spielberg’s Munich, but really shines in Arnaud Desplechin’s Kings and Queen, a French drama in which the characters’ stories unfold in surprising ways.

TVOR goes PG

12/9/07

Enchanted
Directed by Kevin Lima

TVOR had an unusual experience recently. She went to a PG movie--a Disney movie, no less. She rarely goes to movies with people under 30 in the audience, much less actual children. She is happy to report that, based on her experience, there is at least one movie out there right now that is entertaining to both children and adults. At least this adult. And girl children. Little boys were pretty scarce in the theater where TVOR saw the movie, so she's not sure about them.

Enchanted starts out in familiar Disney territory. There's Giselle, an animated heroine, singing and working in her forest home in the kingdom of Andalasia with her little animated animal friends. We learn that there is a handsome prince in search of a bride, and his wicked stepmother is determined to make sure he doesn't find one. Then, of course, things happen, and our heroine is suddenly and rudely transported from animated Andalasia to the very real (at least, to the extent that anything is real in a Disney film) Times Square. Giselle is now played by the three-dimensional Amy Adams, and is, not surprisingly, very disoriented. Then more things happen, most of which are very entertaining. And tuneful.

Enchanted is both a celebration and a send-up of Disney-style fairy tales, and it works remarkably well. Amy Adams is wonderful as Giselle--she really makes the movie. The film falls apart a little bit at the end, but its faults are minor and forgivable. If you plan on going to the movies soon with a little girl, this is the one to see. And if you're not, you might just need to see it anyway.

Video notes:

Amy Adams was nominated for an Oscar for her supporting role in Phil Morrison's Junebug. This little film travelled the festival circuit, but wasn't widely seen in theaters and is a nice one to catch on video. In it, a Chicago art dealer travels with her new husband to the rural south to meet her in-laws. The film isn't predictable and respects all of its characters, refusing to make them caricatures. This is the first time many of us saw Amy Adams, and she was impressive.

Bring on the quality!

12/3/07

It must be December. Some really good films are coming out.

Atonement
Directed by Joe Wright
Screenplay by Christopher Hampton, from the novel by Ian McEwen

Putting novels on screen is a tricky business. Especially when they're good. There's so much more at risk than when they're trashy, pulp fiction. So it was with some trepidation that TVOR approached Atonement, a novel she had read and liked. A novel that didn't seem like a great candidate for a screen adaptation. But fortunately, the filmmakers involved with this project did it right. Christopher Hampton wrote an excellent script, and the license that was taken with the novel made it, for the most part, a better film than a stricter interpretation would have been. (TVOR has a quibble with the final minute or two of the film, but that's a fairly minor flaw.) Joe Wright, the director, has only directed one film previously, the recent adaptation of Pride and Prejudice starring Keira Knightley. He really got this one right, though.

The story is one of a horrible mistake that is made, and the effect it has on all the people involved. The cast is made up of talented actors led by Keira Knightley and James McAvoy. Many of the others will not be well known to American audiences, although Vanessa Redgrave shows up in a small but important role.

TVOR doesn't want to say too much about this film, but will leave you with this: This is a film in which sometimes bad things happen to good people. But it's one of the top films TVOR has seen this year. She thinks it's worth it.


The Savages
Written and directed by Tamara Jenkins

Philip Seymour Hoffman and Laura Linney. Need I say anything more? Well, yes, actually. Tamara Jenkins. She wrote the script and directed these two fine actors in her excellent second film The Savages, a film that gives them fascinating, complicated characters to play, and room to work their magic. And they really do it. They play siblings whose father is losing it and needs institutional care. This isn't a film about the aging person falling apart, however. It's more a film about how two people, somewhat damaged but doing the best they can, deal with this and attempt to move on with their lives. It's the kind of subject matter that could get really goopy, and TVOR is happy to report that the goopiness level is zero. Jenkins' script and direction, and the actors' ability to be utterly convincing, make sure that doesn't happen. See it.

Video notes:

Tamara Jenkins made her first film almost ten years ago. (She's not prolific, but you can't argue with the quality of her work.) The Slums of Beverly Hills is a semi-autobiographical story of a teenage girl and her siblings whose divorced father is determined to keep his kids in the Beverly Hills school system. He accomplishes this by dragging them from one crappy apartment in the famous zip code to another. (Yes, there are crappy apartments in Beverly Hills). Natasha Lyonne plays the daughter, and Marisa Tomei and Jessica Walter are in the supporting cast. This is definitely one to check out on video.

The Namesake, Mira Nair's adaptation of Jhumpa Lahiri's novel, is now out on video. The film tells the story of a family of Indian immigrants to the United States, but the issues are relevant to most of us in this country populated by immigrants. Take a look.

Waitress, writer/director Adrienne Shelley's last film, is also available on video now. It's lovely film and a wonderful tribute to this artist, who was deprived of the long career she should have enjoyed.